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Alison Aye

Artist
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Smash Thatcher

September 2, 2024

Christopher Madden is a County Durham born artist who lives in London. We were born in the same hospital. I was unaware of his existence until a few weeks ago.

In 1979, Chris drew a cartoon of Thatcher which was then used by the Socialist Workers Party for placards and posters. Other people copied the image for their own personal banners. In 1980, one such person drew the image, wrote ‘SMASH THATCHER’ underneath, and carried it to protest against the closure of Consett Steelworks (image above, full credits below). The Steelworks closed in 1980, with a loss of 3000 jobs. One of many closures, as Thatcher continued her axe-wielding across the North. The protest was photographed and printed in the Northern Echo, which is where I found the image. In 2022, I stitched it to ‘Shifting to the Moon’, a piece about greed and short-sightedness, the ridiculousness of the monarchy, how history keeps repeating itself, and how the posh lads are always in charge.

I grew up in Spennymoor which is 10 miles from Consett, and very similar. Nobody in my hometown liked Thatcher. Understandably. I’d never knowingly met a tory until I moved South.

In 2024, I submitted ‘Shifting To The Moon’ for consideration for the Royal Academy Summer Show. It was accepted. Alice Fisher, from the Observer, wrote an article about it, on account of me unsuccessfully trying to get work into the Summer Show for 30 years.

Chris read the article, recognised his cartoon, and got in touch via Instagram. Turns out he has a history of Summer Show rejections, too.

Credits:

Image 1- Consett Steel Workers’ protests, 1980. Northern Echo. Photographer uncredited.

Image 4 - Me with my work at the RA. Photo by Cassie Candle.

Image 5 - Chris’s original cartoon. A screenshot from his Instagram feed.

In Art, Other Stuff Tags consett, consett steelworks, thatcherism, northern england, working class culture, the eighties, 80s, miners strike, class ceiling, class system, the workers, chris madden, political cartoon, margaret thatcher, shifting to the moon, alice fisher, the guardian, royal academy summer exhibition, working class art, working class
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Profit

June 2, 2023

I am 56 and this year (tax year 22/23) I made a profit from my art for the very first time. The sum of £893.76 is not to be sniffed at, but hardly enough to live on. I have always had a day-job.

Before this, 21/22 had been my best financial year. I made a loss of £375.92.

In 2016 (based on 2015 data) Arts Council England published the Livelihood of Visual Artists Report, finding most artists earned less than £5,000 from their art* that year. These artists are either rich, being supported by someone else, or had other forms of income. There’s not enough honesty about this. According to the report, 7% of artists earned more than £20,000, and 2% more than £50,000. The average art practice income was £6,000. I can’t find a more recent ACE study, they don’t do these things very often, although it may have been updated slightly in 2018.

Data from the Office for National Statistics (Ben Quinn for the Guardian) found that the number of working class people in the arts has shrunk by half since the 1970s. Don’t get me started.

I’m writing from a place of privilege. For a brief period in history the door was opened and the likes of me walked straight through. They’ve closed the door now. Someone from my background would not be able to go to art college today.

This is why 5% of my sales go to Arts Emergency.

*In this context, making ‘a living from your art’ means money made from selling an actual piece of art. Teaching, workshops and non-original prints (not printmaking/etching as this IS art) are considered ‘other sources of income’.

In Money Matters Tags working class, livelihood of artists, arts emergency, making a living, hmrc tax return
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