• About
  • Blog
  • Selected Work
  • Exhibitions/Talks
  • Press/Books
  • Prints
  • Originals Shop
Menu

Alison Aye

Artist
  • About
  • Blog
  • Selected Work
  • Exhibitions/Talks
  • Press/Books
  • Prints
  • Originals Shop

Art Matters

September 30, 2024

‘With war raging and children dying, and the slow waltz of extremism on our doorstep and within our cities and towns, art can seem ephemeral, unnecessary and the preserve of the lucky few. It may seem indulgent even, and for those of us in city centres and with fancy Wren churches (hashtag Piccadilly Priest), it may seem like a right more than a privilege. But those of us here today do not need to be told that art matters, that it shakes us from slumber, that it keeps us sensitised and sensitive and that it draws us back to question earth-bound mercy, the earth-pretence of who is pure in heart, the earth-renditions of the peacemakers. All of these things are turned upside down by Jesus and all of these things are turned upside down by art’.

This is very, very late ‘Thank You’ to the lovely Jane Chipp, who not only sent me much appreciated photos and kind words during Varnishing Day (I just couldn’t face going) at the Royal Academy of Arts earlier this year, but also posted the notes from the ‘Service For Artists’ (extract above) at St James’s Church on Piccadilly (an annual sermon for exhibitors), given to her its author, the equally lovey (as it turns out) Associate Priest, Mariama Ifode-Bleasein. She is a huge asset to the church, and no mistake.

I get a mention in said service (sort of), ‘For some of you, this will be your first attempt at submitting your work for the Summer Exhibition, for others it will be your thirty-second’.

I’m not a big fan of religions, but Jesus has always seemed like an incorruptible bloke who would make a good job of running the country.

Read the full sermon, ‘The world as it is, is not as the world should be’, below…

In Art, Other Stuff Tags piccadilly priest, mariama ifode-blease, pedro calderon de la barca, royal academy summer exhibition, varnishing day, kae tempest, let them eat chaos, life is a dream, entangled pasts, alice fisher, michelle richards, segismundo, st james piccadilly, service for artists, the observer
← Exile Textile 3: The PrequelSmash Thatcher →

Latest Posts

Featured
alisonaye_belgravia.jpg
August 4, 2026
The Belgravia Commission: Chapter One
August 4, 2026
Read more →
August 4, 2026
alisonaye_londonquilterstalk1.jpg
July 27, 2026
The London Quilters Seemed To Like Me
July 27, 2026
Read more →
July 27, 2026
2026_alisonaye_swisscottagetube.jpg
July 17, 2026
Talking to the London Quilters
July 17, 2026
Read more →
July 17, 2026
AlisonAye_CivilisationCollagePage316TheNoonGun.jpg
July 8, 2026
Civilisation Collage, Page 316: the noon gun
July 8, 2026
Read more →
July 8, 2026
alisonaye_audience2026_jan_june_insta.jpg
July 6, 2026
The Audience, June 2026 (152 - 181)
July 6, 2026
Read more →
July 6, 2026
gallery139.jpg
July 6, 2026
Artistic Intelligence
July 6, 2026
Read more →
July 6, 2026
alisonaye_audience2025_jan_sept.jpg
June 21, 2026
The Audience, September 2025 (244 - 273)
June 21, 2026
Read more →
June 21, 2026
alisonaye_audience2026_jan_may_square.jpg
June 14, 2026
The Audience, May 2026 (121 - 151)
June 14, 2026
Read more →
June 14, 2026
alisonaye_audience2025_213_thaddeusdanielpierce_article_lowres.jpg
April 29, 2026
The Audience, August 2025 (213 - 243)
April 29, 2026
Read more →
April 29, 2026
alisonaye_audience2026_1_120_jan_april_insta.jpg
April 29, 2026
The Audience, April 2026 (91 - 120)
April 29, 2026
Read more →
April 29, 2026