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Alison Aye

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Art Matters

September 30, 2024

‘With war raging and children dying, and the slow waltz of extremism on our doorstep and within our cities and towns, art can seem ephemeral, unnecessary and the preserve of the lucky few. It may seem indulgent even, and for those of us in city centres and with fancy Wren churches (hashtag Piccadilly Priest), it may seem like a right more than a privilege. But those of us here today do not need to be told that art matters, that it shakes us from slumber, that it keeps us sensitised and sensitive and that it draws us back to question earth-bound mercy, the earth-pretence of who is pure in heart, the earth-renditions of the peacemakers. All of these things are turned upside down by Jesus and all of these things are turned upside down by art’.

This is very, very late ‘Thank You’ to the lovely Jane Chipp, who not only sent me much appreciated photos and kind words during Varnishing Day (I just couldn’t face going) at the Royal Academy of Arts earlier this year, but also posted the notes from the ‘Service For Artists’ (extract above) at St James’s Church on Piccadilly (an annual sermon for exhibitors), given to her its author, the equally lovey (as it turns out) Associate Priest, Mariama Ifode-Bleasein. She is a huge asset to the church, and no mistake.

I get a mention in said service (sort of), ‘For some of you, this will be your first attempt at submitting your work for the Summer Exhibition, for others it will be your thirty-second’.

I’m not a big fan of religions, but Jesus has always seemed like an incorruptible bloke who would make a good job of running the country.

Read the full sermon, ‘The world as it is, is not as the world should be’, below…

In Art, Other Stuff Tags piccadilly priest, mariama ifode-blease, pedro calderon de la barca, royal academy summer exhibition, varnishing day, kae tempest, let them eat chaos, life is a dream, entangled pasts, alice fisher, michelle richards, segismundo, st james piccadilly, service for artists, the observer
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Don't Feel Bad, Joe

June 2, 2023

I have been applying to be part of the Royal Academy Summer Show, on and off, for 30 years. I have never been accepted, and this year was no different.

Last year, I was on a telly programme, presented by Joe Lycett, which documented the highs and lows of a group of artists who were hoping to be chosen. Joe referred to me as Queen of the Rejected, in a nice way. I had entered RA Bastard Shites, a piece about being rejected from said exhibition. I was asked to cover the title.

The process starts in February, when you pay the fee (now £38), fill in the online application form and upload your photos. The first round results arrive by email towards the end of March. If you are successful the RA judges give your work ‘careful consideration’ upon its delivery to the Academy at the beginning of May. Results of the second round are announced later that month, at which point you will either collect your work or leave it for the exhibition. There’s still a chance you could rejected, they always take more than they need.

Today is Varnishing Day. So called because the likes of Turner would varnish work after it was on the wall. It’s full of pomp and ritual. The artists go to a church service at St. James’s, then stop traffic on Piccadilly as they march to the RA, where they finally see their work on display. Some complain that it is too high or low. BFF* Joe had his sculpture, Chris, accepted one year. It was displayed on the floor, in the corner, butted up against the skirting board.

Joe got accepted, for a second time, this year. Although he is prolific on social media, he just announced it a few hours ago. He has known for a while.

This is what I’m thinking. Joe is a nice person. He feels a bit bad that he got accepted on account of all the people who got rejected. I don’t want anyone to feel bad on my account. I see it in other artists, too. They get accepted, but don’t like to say so, for fear of making the rejectees sad. It makes me feel way sadder than getting rejected ever could.**

Artists, please share your good news. The majority of us are happy for you. Screw the others. They need to work on themselves.

And on that note, I have two RA rejected artworks available as limited edition prints. This year’s rejection Exile Textile 3, and last year’s rejection RA Bastard Shites.

Alison

*To whom it may concern - I know Joe Lycett isn’t really my friend, but thanks for telling me repeatedly.

**Of course I could be over-thinking the whole thing and JL gave it no thought at all.

Photo by Phil Shelly for Klein Imaging.

In Unsolicited Advice Tags royal academy summer exhibition, rejection, joe lycett summer exhibitionist, varnishing day
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