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Alison Aye

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Tension Gallery, Penge, London, 2025

Shitty Stitches, Inspired By A Shit Job

October 1, 2025

I’ve been wanting to document this work for months because it’s important to me, even if the actual stitching is abysmal.

It was inspired by a shit job in a top London art gallery. I worked there on a zero-hours contract for fifteen-ish years.

The staff hierarchy was bloody horrible. They didn’t even try to hide the ‘them-and-us’ mentality. And by that I mean that most of the ‘higher-ups’ considered themselves too god-like to acknowledge the ‘lower-downs’. And by ‘lower-downs’ I mean uniformed staff. And by uniformed staff I mean me. Those *curators were extremely important people. Too important to notice a single other human in a room. Too important to even look at, let alone thank, another human in the room who picks up their dropped pencil and places it back in their hand.

Anyway, at some point a new Superior decided to change the uniform shirt from red to blue. I forget why, but it was a really good reason that totally justified the huge expense and wastefulness. I took the discarded shirts home, where they have fulfilled my red fabric needs for years.

Which brings me to the stitching. It’s the banner I cobbled together for an exhibition I curated at Tension Gallery in July. I had such great plans, but in the end I ran out of time, as per. It took about half an hour to make. You can tell. I love it, though. The quality of the stitching may not be up to scratch, but the artistic intention, which was to include my colleagues’ shirts, remains.

A = Lanny, I = Me, R = Neruma, I = Carl, N = Bev and G = Rose. Each a diamond. I didn’t select them, they just happened to be at the top of the pile.

The ribbon, on which the banner was suspended by safety pins (for speed, obvs) was a gift from Julian and Nigel of the Weavers’ Factory.

*It’s not just the curators I’m talking about, but everyone at the top of the gallery chain, born into financially secure families with the right accents, mostly. This is an ‘UP YOURS’ to them. Also, it turns out that art curation is not rocket science. The people who do it aren’t special, just lucky. I don’t begrudge them (well, maybe a bit), I wish they’d be honest about the nepotism, rather than having ‘I-have-this-job-because-I-worked-harder-than-you-and-I-am-more-intelligent’ tattooed across their foreheads. I'm done doffing my cap to them.

In Art Tags class ceiling, working class art, working in an art gallery, hierarchy, working class accent, the art world, them and us, airing, tension gallery, art curator, wrong accent, textile art, textile artist, recycled art, banner maker, union banner, red cloth
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