68. Shifting To The Moon, 2022
Hand-stitched paper to tea towel
60 x 44cm unframed, 62 x 47cm framed (by The Framing Room, with maple and UV glass)
‘Shifting’ is a Durham colloquialism, meaning ‘to move house’. I grew up in a car-free environment, and people often carried furniture by hand, from one house to another. Everybody helped. I have a picture, somewhere, of my dad transporting Uncle David’s couch by wheelbarrow, or ‘barra’ as he calls it.
Moon: From the film La Voyage Dans La Lune, 1902, by George Méliès. The first ever science fiction film. From the book by Jules Verne. Michaut/ Lucien Tainguy. Cut from 1001 Movies You Must See Before You Die, Steven Jay Schneider, Cassell 2003.
Monkey: Sam, Dec 1959. Nasa Little Joe Test Programme. Hulton Getty Picture Collection. Nick Yapp.
Robot: Alpha, July 1932. Invented by Harry May for the Mullard Valve Company. Hulton Getty Picture Collection. Nick Yapp. Legend has it, that the robot shot the inventor.
Basket: From the film, Around The World In Eighty Days, United Artists, 1956. David Niven and Cantinflas were in the basket. Michael Anderson/Kevin McClory/Mike Todd. Cinematography by Lionel Lindon. George Rinhart/Getty. Cut from 50 Years Of The Movies by Jeremy Pascall, WH Smith 1981.
Andrew and Charles Windsor, now King: ‘Gaining their parachutist’s wings during the Easter holiday from Gordonstoun’ c1978. Coloursport. Cut from Britain In The Seventies by Ronald Allison. Book Club Associates, 1980.
Jarrow Crusade: In October 1936, 200 men marched 300 miles from Jarrow to Westminster to protest against unemployment and poverty. They brought with them a petition requesting the re-establishment of industry. It was received by the House of Commons, but not debated.
Achtung! Sie Verlassen Jetzt West-Berlin: The image, from which this sign is taken, is the copyright of the family of Richard Bissell, who was a CIA officer. He was an administrator of the European Recovery Plan in Germany, after the Second World War. Cut from The American Century by Harold Evans, Jonathan Cape, 1998.
Four More Years: From an image (Charles Nye, 1972) of Richard Nixon electioneering in Ohio, just before the full scope of his Watergate involvement was revealed.
Wet Paint: David McEnery, 1975. Mirror Group.
Maggitun Devastation For Kent: Maggitun didn’t really catch on as an alias for the Channel Tunnel. From an image of anti-tunnel protesters in Folkstone. QA Photographs, the Channel Tunnel Group Ltd. Cut from Breakthrough by Derek Wilson, Century, 1991.
Tow Away Zone: From the film, Manhattan by Woody Allen. United Artists, 1979. 50 Years of the Movies by Jeremy Pascall, WH Smith 1981.
Britain Awake: Fascist banner.
Caution No Swimming: Banksy, 2005. Bathing Lake, Hyde Park, London. Lasted three and a half weeks. Cut from Banksy Wall and Peace, Century 2006.
The Batchelors: 1922, Getty.
Face of the Enemy in Kabul: State Britain by Mark Wallinger, 2007. Brian Haw’s banners recreated.
Reserved For Pastor: William Lovelace, 1961. From a photograph of two men sleeping in the pastor’s car park during a siege of the First Baptist Church in Montgomery Alabama, by a white mob of three thousand during the night of 20th/21st May, 1961.
The End of the World is Near: David McEnery, 1975. Mirror Group.
Peace: From a photo taken en route to a Women’s Peace Congress in the Hague, April 13th 1915. Jane Addams, Emmeline Pethick-Lawrence, Annie E Malloy. Possibly Mary Heaton Vorse and Lillian Kohlhamer. Bain News Service. George Grantham Bain Collection, Library of Congress. The American Century by Harold Evans, Jonathan Cape 1998.
Gone to Morroco with Hilton: From a picture of Sarah Lucas and Tracey Emin by Carl Freedman, 1993. It’s the one where they are standing in the doorway of ‘The Shop’ on Bethnal Green Road, London. The sign is painted above the door. Don’t know who Hilton is, and neither does Google. If I ever meet Tracey or Sarah, it’s the first thing I’ll ask them. Cut from Artrage by Elizabeth Fullerton, Thames and Hudson 2016.
Bands Won’t Play No More: Quote from Ghost Town by The Specials/ Jerry Dammers. 2 Tone Records. BBC 1981. Stitched in honour of Terry Hall (1959 - 1922) who died during the making of this piece. Also, I now recognise areas of London in the video, which I didn’t know in 1981. Why must the youth fight against themselves? Particularly poignant at the moment.
Smash Thatcher: Cartoon drawn by Christopher Madden, who read my Observer piece, then saw his work stitched to my work at the RA. He said, 'Well, this is an interesting way to get one's work into the Royal Academy Summer Exhibition. Draw a cartoon of Margaret Thatcher in 1979 in her Iron Lady/ Mad Axewoman persona. Have the cartoon picked up by the Socialist Workers Party for placards and posters. Have the placard redrawn by other people for their own personal placards. Have one of those copied placards printed in a newspaper somewhere. Have that print used in a montage in an artwork in the Royal Academy Summer Exhibition forty-five years later. Thanks to Alison Aye for her excellent choice of montage material. My own attempts to get into the Summer Exhibition have always been a failure. Shortlisted a couple of times but always fallen at the final hurdle'.
Consett Steel Workers’ banner. I grew up in Spennymoor which is 14 miles from Consett, and very similar. Nobody in my hometown liked Thatcher. I’d never knowingly met a tory until I moved South. Northern Echo. Cut from Memories of County Durham in the 1980s, in association with Love Darlo.
Peace on Earth, Goodwill to All: State Britain by Mark Wallinger, 2007. Brian Haw’s banners recreated.
First National Coal: Betteshanger Colliery, Deal, Kent. NCB, 1st January 1947. 100 Years in Pictures by DC Somervell, Odhams Press.
The Magi of Chaldea (Wise Men): Priest-Astronomers who gave names to the stars. Odhams Wonder-World of Knowledge by JA Lauwerys, RL James and Brian Vasey-Fitzgerald. There’s a long list of possible illustrators: Carlo Alexander, AE Barbosa, Laurence Bradbury, Royman Browne, AH Burvill, Gaynor Chapman, David Cobb, Neville Colvin, H Connolly, Gordon Davies, Rowland Davies, Bruce Drysdale, Barry Evans, EI Ford, Grace Golden, LG Goodwin, Harry Green, LS Haywood, W Hobson, Peter Horne, William Kempster, P Kesteven, R King, Richard Leacroft, Joan Martin May, N Meredith or C Newsome-Taylor.
Please note that I do not reproduce physical images to stitch, but use already printed materials. The paper comes from discarded books, newspapers, magazines, calendars and the like. Most of the books I cut are beyond repair, the rest are beyond my respect.
Copyright: Alison Aye, 2024.
